Apparently, the fairly advanced development of the art scene in Vietnam took place largely because of the French occupation and such institutions as Ecole des Beaux Arts d'Indochine, set up by the colonialists in 1925, the harbinger for schools like the Hanoi Institute of Fine Art. Techniques like painting and sculpture were taught intensively, and later, indigenous art forms were added to the curriculum like lacquer painting and silk painting.
As it happens with all colonial histories in which one more powerful country actively takes over one weaker one, there were a few good things that happened amid the bad. And for Vietnam, visual art is one of them. Walking through the galleries in Hanoi alone, one finds many artistic voices worthy of attention - each with a personal vision, a particular discipline, an eye for meaning that is unique, powerful, and beautiful.
Years before we visited the city, I had spent many hours journeying through the websites of various galleries, visiting and revisting my favourites - the pure simplicity of Nguyen Thanh Binh (b. 1954), his serene, creamy spaces, elegantly singular compositions and the colour white which he expertly makes use of as a colour, as opposed to a non-colour. The subtle, single-hued panoramas of Hong Viet Dung (b. 1962)and the joyful street scenes of Le Than Son (b. 1962)
And then there are the poignant, surreal storybook visions of Dao Hai Phong (b. 1965) that never fail to elicit my wordless satisfaction. Most of his paintings enchant, because they deftly achieve the rare but keen pleasure located in the intersection where brightness and quietness meet and sometimes fall in love.
See http://www.thavibu.com/vietnam/dao_hai_phong
So when at last we paid the city of Hanoi a visit, it was my heartfelt wish, my intent to find a Dao Hai Phong that called my name. I wanted to find one and take it home that I might escape into it everyday, if I so chose. Not merely to look at it and admire it as a possession. But to actually engage in it, enter it, be one with it.
In the end, this, is what art is ultimately about.
Tuesday, February 20, 2007
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1 comment:
It has taken quite a while for Vietnamese Art and Paintings to regain its lost glory. Contemporary Vietnam Artists have done a commendable job to infuse a new life in their canvas.
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