Monday, February 26, 2007
Best Picture for 2007
Am glad The Departed won. Am glad Martin Scorcese won. I saw this movie for the second time on the plane from Hanoi to Singapore, and it was as riveting as it was when I first saw it. No slow moments. No pacing problems. A great story with plot points that are both unexpected and sensible. What's more, it had some really textured work in terms of performances from practically everyone in the film. It is filmaking at its very finest. Am glad it won the Oscar.
Movie Weekend
There was something very poignant about Dream Girls - at least for me - maybe it was all the motown 70's rhythms and strong female vocals that got me. But even just eight minutes into the film, it did occur to me that Jennifer Hudson deserves every award and accolade she gets for her creation of Effie White. This is an annoying character, but with whatever she has, Hudson manages to locate the sympathy the audience requires to make a connection with her. And then there's her big, brassy voice which is so much bigger tan who she is. And then it is pure joy to hear Eddie Murphy and Beyonce and Jamie Foxx sing. Beside's it's a musicale. Who doesn't love a musical?
Letters from Iwo Jima is a good movie overall, mostly because of performances by Ken Watanabe and the newcomer who created Saigo, the Japanese baker-turned-very-reluctant soldier. Not without flaws, but really, hardly anything is these days. Some of the subplots were a bit old in a you-could-see-it-coming kind of way. I also thought there were pacing problems. Still, Clint Eastwood knows how to tell a story, and we are able to rest confidently in his able hands. When you think about his work - The Unforgiven, The Bridges of Madison County and Midnight in the Garden of Good and Evil - there is no disputing he is truly a master, for this movie and hopefully more...
Letters from Iwo Jima is a good movie overall, mostly because of performances by Ken Watanabe and the newcomer who created Saigo, the Japanese baker-turned-very-reluctant soldier. Not without flaws, but really, hardly anything is these days. Some of the subplots were a bit old in a you-could-see-it-coming kind of way. I also thought there were pacing problems. Still, Clint Eastwood knows how to tell a story, and we are able to rest confidently in his able hands. When you think about his work - The Unforgiven, The Bridges of Madison County and Midnight in the Garden of Good and Evil - there is no disputing he is truly a master, for this movie and hopefully more...
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